BACKDATED TO BOXING DAY
[Gideon]
I need your help. Talia -- she's broken, she's got religion and it's not exactly like her at all to go and catch that, except she knows she's broken. Apparently a Mormon did it. It doesn't look normal, Gideon, it looks like magic only Market would go, wouldn't it? She said his name was Young, Elder Young. Isn't this what the Library is for, making sure people don't go breaking other people?
[Liam]
[Extremely short: the blunt letters are small and cramped, the kind of inelegant handwriting better suited to the cautious character of one who closely examines things. It is Sully-of-the-Gang and not Sully-himself and whilst Ephraim Sullivan does not think to draw the man back from what is his unspoken repetition and pattern no more than he could tides and the moon -- what Talia and Liam have is un-discussed and difficult, one of the crevasses in the crumbling between what was once Gang and now is long gone and incomprehensible to one who came after -- but yet important.]
When you get back, could you let me know?
[Cass]
She's not permanently broken. I don't think.
[Haven]
How do you go about taking things off other people?
[Public]
[An extremely small sketch -- all blacks and greys and sober monochrome, this time of a bus station and people moving swiftly enough to be faint blurs beneath the rain. It is architectural rather than focused on faces, on hands, the usual style tucked away into what is almost a blueprint made dimensional. It is not Sully and yet it is, all pencil and charcoal and faint borders of ink to keep it all contained]
I need your help. Talia -- she's broken, she's got religion and it's not exactly like her at all to go and catch that, except she knows she's broken. Apparently a Mormon did it. It doesn't look normal, Gideon, it looks like magic only Market would go, wouldn't it? She said his name was Young, Elder Young. Isn't this what the Library is for, making sure people don't go breaking other people?
[Liam]
[Extremely short: the blunt letters are small and cramped, the kind of inelegant handwriting better suited to the cautious character of one who closely examines things. It is Sully-of-the-Gang and not Sully-himself and whilst Ephraim Sullivan does not think to draw the man back from what is his unspoken repetition and pattern no more than he could tides and the moon -- what Talia and Liam have is un-discussed and difficult, one of the crevasses in the crumbling between what was once Gang and now is long gone and incomprehensible to one who came after -- but yet important.]
When you get back, could you let me know?
[Cass]
She's not permanently broken. I don't think.
[Haven]
How do you go about taking things off other people?
[Public]
[An extremely small sketch -- all blacks and greys and sober monochrome, this time of a bus station and people moving swiftly enough to be faint blurs beneath the rain. It is architectural rather than focused on faces, on hands, the usual style tucked away into what is almost a blueprint made dimensional. It is not Sully and yet it is, all pencil and charcoal and faint borders of ink to keep it all contained]
